ID: 52247
Advertentie ID: #19081 is toegevoegd aan uw verlanglijst.
Omschrijving
ZOOM studio 1201 - Classic nineties multi-effects processor - Vocoder - Reverb FX - Audio interface - 19” rack, zie ook beschrijving hieronder. Met originele adapter. Ophalen of verzenden, met alleen track & trace en/of aangetekend. Opsturen alleen met betaling vooraf en de bijkomende kosten en risico’s zijn voor koper.
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Multi effectprocessor with very usable and tweakable effects like reverb, delay, chorus, flanging, phasing, pitch shift, RingMod, rotary, distortion etc. It also has an 11 and 18 band vocoder, which in this priceclass is pretty unique.
There are 3 banks of 11 effect types with each 11 variations, so it has 363 effects in total. It has controls for input level, mix, output level and effect adjusting like reverb and delay time.
It has 18 bits converters and a 44.1 kHz sampling frequency, so it does sound “hi-fi” and not “cheap” like the price is. Plus it has stereo input and output.
In vocoder mode, the microphone or other source is connected to the right input, and the modulator, like a synth or guitar, to the left input. Make sure you use a proper microphone so that the result is intelligible. The best is to run the mic through a compressor to avoid signal peaks.
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Multi effectprocessor with very usable and tweakable effects like reverb, delay, chorus, flanging, phasing, pitch shift, RingMod, rotary, distortion etc. It also has an 11 and 18 band vocoder, which in this priceclass is pretty unique.
There are 3 banks of 11 effect types with each 11 variations, so it has 363 effects in total. It has controls for input level, mix, output level and effect adjusting like reverb and delay time.
It has 18 bits converters and a 44.1 kHz sampling frequency, so it does sound “hi-fi” and not “cheap” like the price is. Plus it has stereo input and output.
In vocoder mode, the microphone or other source is connected to the right input, and the modulator, like a synth or guitar, to the left input. Make sure you use a proper microphone so that the result is intelligible. The best is to run the mic through a compressor to avoid signal peaks.